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Synopsis

In so doing, she touches on the art of Gerhard Richter and Annette Messager; the filmmaking of Peter Greenaway and Michelangelo Antonioni; the architecture of cinema and its precursors - the curiosity cabinet, georama, garden design, view painting, the arts of memory and mapping; and on her own journeys to her native Italy. Visually luscious and daring in conception, the voyage for which Bruno is our cicerone opens new vistas and understandings at every turn. This is an affective mapping that ultimately puts us in touch with mental landscapes and inner worlds.|--Jacket

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